1 Peter 5

This choral fantasy uses the hymn tune VRUECHTEN as its underpinning but riffs on the tune by altering the phrasing, cadences, and even takes an excursion into the relative minor. Divisi parts form two

The surprising joy of the Resurrection is conveyed through jubilant fanfares in the accompaniment and a shifting of the rhythm between 3/4 and implied 6/8 meters. As the mood softens, a more melodic section

This musical setting employs changing meters to emphasize the inherent rhythm of the lyrics. The opening solo flows as if a cantor might perform it, slightly lingering on important words and relaxing the

A setting of Psalm 23 taken from the larger work Tenebrae - a musical journey through the shadows of the cross. The chorus sings the well-known scripture text, then recaps most of it while the

This choral fantasy uses the hymn tune VRUECHTEN as its underpinning but riffs on the tune by altering the phrasing, cadences, and even takes an excursion into the relative minor. Divisi parts form two

This is the first movement of Bortniansky's three-movement Choral Concerto No. 9 which is normally sung during the Divine Liturgy. This work is set for unaccompanied performance, a rubric of Orthodox choral